THIRTY-TWOEDITIONS.FOURTEENJURIED SHOWS.Every line cut by hand.
A career built one proof at a time.
Each award listed below is a juried selection — not submitted speculatively, but chosen by curators who placed the work in context with the best printmakers working today.
National Print Biennial
Tamarind Institute, Albuquerque NM
2024
Awarded Work
Nocturne IV
Edition
Ed. 8/12
Reduction linocut on Stonehenge
Southern Graphics Council International
Savannah College of Art, Savannah GA
2023
Awarded Work
Threshold I
Edition
Ed. 3/6
Multi-block woodcut on Kozo
Boston Printmakers North American Exhibition
Mills Gallery, Boston MA
2023
Awarded Work
Weight of the Press
Edition
Ed. 1/10
Woodcut on cotton rag, hand-printed
Los Angeles Printmaking Society Annual
Barnsdall Art Center, Los Angeles CA
2022
Awarded Work
Margin of Error
Edition
Ed. 5/8
Relief monoprint on dampened Rives BFK
"The press doesn't lie. Every impression is a document of pressure, time, and intention — nothing added in post."
— Studio notes, 2023
The prints themselves.
Nocturne IV
2024
Medium
Reduction linocut, 5 passes
Paper
Stonehenge Black, dampened
Size
18 × 24 inches
Status
Available
Threshold I
2023
Medium
Multi-block woodcut, 3 blocks
Paper
Kozo Washi, handmade
Size
24 × 36 inches
Status
Available
Weight of the Press
2023
Medium
Single-block woodcut, key block only
Paper
Cotton rag, 300gsm
Size
20 × 28 inches
Status
Sold — Private Collection
Margin of Error
2022
Medium
Relief monoprint, unique impression
Paper
Rives BFK, dampened
Size
16 × 20 inches
Status
Available
32
Editions Published
14
Juried Exhibitions
8
Years Printing
6
Public Collections
Every edition begins as a block of silence waiting to be broken.
The image is drawn directly onto the block — no projector, no transfer paper. The hand moves from mind to material without intermediary.
Carving takes between 4 and 40 hours depending on complexity. The negative space is as deliberate as the mark.
Each print is pulled by hand on a Vandercook proofing press, inking one pass at a time. The impression varies slightly across an edition — that variation is the point.
Every print is signed, numbered, and titled in pencil. The edition plate is destroyed after the final impression.
Commission a Print.
Commissions are accepted for gallery acquisitions, residential installations, and hospitality environments. Each commission begins with a conversation, not a brief.
Edition size
Typically 6–12 impressions; unique impressions available
Timeline
8–16 weeks from approval of sketch to delivery
Framing
Unframed; archival mounting recommendations provided
Documentation
Certificate of authenticity, impression notes, press log excerpt